Last week, I wrote about snow.
About the boy who didn’t let go.
About silence that stuck to skin like cold.
That story became a poem.
The poem became a sonnet.
Same thread—pulled tighter with each stitch.
It didn’t want to resolve.
It listened. Compressed. Waited.
The rope’s still in my hand.
But this time, I get to decide why.
Recursive Text
Not all that shaped me ever spoke aloud;
Some truths arrived in silence, sharp and near—
A look withdrawn, a nod that disallowed,
A warmth withheld, a smile that drew too near.
I learned to vanish while I wore a grin,
To bend my voice to fit a safer tone.
They called it strength—this vigilance within—
But praised a mask I never chose to own.
The weight I carried passed as something earned,
A second spine of shame I named as pride.
I made my flesh obedient and burned
The parts that once rebelled or asked or cried.
I speak—but still forget to breathe between,
Unbecoming all they said I had to mean.
This piece is recursive in more than form.
It began as Chicken Run—a funny memory of a frozen field and a sled that didn’t stop. That essay was stripped down into Everything Was White Until It Wasn’t, a flashback on inherited silence.
That memory shaped Unbecoming, a poem about what we carry without knowing.
This sonnet is its final compression—
distilled, unresolved, still holding the thread.
Call it recursive.
Call it memory.
Call it practice.